The story room is decorated with portraits of Pixar employees who draw each other while locked in the room trying to break the story.Ĥ. The dinner scene we've seen excerpted in trailer (below) was the early scene that helped define what the emotions were, and how they work in the film.ģ. Sadness, on the other hand, was just a big lump.Ģ. The very first drawing of Joy had huge pony tails, almost like an exaggerated version of Dee Dee from Dexter's Lab. We talked to Inside Out co-director Ronnie del Carmen, who has been part of Pixar's story team since Finding Nemo, but his resume extends way back to Batman: The Animated Series.ġ.
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As those already versed in Pixar's process know, in some ways it isn't so different from a TV series' writer's room, or from the writing system used for many other movies. Here, various members of the team gather to pitch character and story ideas these are drawn out as a storyboard series, pitched and performed to other team members, and gradually refined. The story department is the core of Pixar's approach to filmmaking. Here are the 40 things we learned during our Inside Out behind the scenes visit. We'll feature our talk with Docter and Rivera soon, but first let's look at the technical departments at Pixar. All together they gave a fairly complete portrait of the Inside Out behind the scenes process.
There I saw the first hour of Inside Out, and sat in on a number of short interview sessions with heads of several departments that contributed to the film, culminating with a talk with director Pete Docter and producer Jonas Rivera. Last week I flew up to San Francisco then made the trip across the bay to Emeryville, and Pixar's campus. The contrast between the two gives the movie an unusual feel, especially as the events in each "world" become more difficult for the characters. The other world is inside Riley's head, where five primary emotions guide her newly rocky life. One is fairly realistic the other very cartoonish. One world looks a lot like our own there, a young girl named Riley finds her world turned upside down when her family moves cross-country just as she hits a period of new emotional growth. It tells a story that takes place in dual worlds. This video does a great job at reminding us of Anderson's obsession with precision and evenly-balanced frames.Pixar's new film Inside Out is nothing quite like any film the studio has made before.
Where does he place the characters and objects? What does he show? What does he choose not to show?Įven someone who has never seen a film would recognize one key aspect of Wes Anderson’s composition: symmetry.
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Composition walks hand in hand with cinematography techniques, including the multitude of camera shots and angles.īeing aware of what’s in the frame, and then choosing how to shoot it, is how you control your film’s look.Īnd if you know anything about Wes Anderson's visual style, you know that composition plays a major role. One of the most important aspects between mise en scène and cinematography is how you compose the frame. The type of camera and film stock used, the lighting techniques, or the camera movement, etc. Mise en scene Elements Mise en scene and cinematographyĪs you know, the basics of cinematography include everything related to the capturing of images.
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